Wicked: For Good (2025): Goodbye Yellow Brick Road [ENG|ESP]

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5 Golden Globes nominations | 5 nominaciones a los Globos de Oro

I don't consider myself a fan of musicals. Nor am I a detractor. I know many people who condemn musical films without even seeing them because they consider them outdated, sometimes ridiculous, or because they believe that singing in movies is something only Disney gets away with. To them I say: they don't know what they're missing. However, even though I defend them as a genre that deserves to continue existing, it's not like I go to see every musical that comes out. I've never been to Broadway, and apart from a few that I love, the rest don't appeal to me.

No me considero fanático de los musicales. Tampoco un detractor. Conozco muchas personas que condenan las películas de género musical sin verlas porque las consideran pasadas de moda, a veces ridículas o porque creen que cantar en el cine es algo que se le perdona solamente a Disney. A ellos les digo: no saben de lo que se pierden. Sin embargo, aunque los defienda como género muy merecedor de seguir existiendo no es que vaya a ver todos los musicales que salen, nunca he estado en Broadway y salvo unos pocos que amo, los demás no me seducen.

Now, you don't need to be a film expert, but you do need to set aside certain prejudices, to recognize that Wicked is one of the best musical films made in recent years. Ten Oscar nominations (winning in two of those categories), two BAFTA awards, a box office of almost $800 million... Wicked was truly a hit last season; that's why there was so much anticipation surrounding the conclusion of this story in Wicked: For Good, not so much what would happen—which is widely known—but how it would be presented. Let's remember that this film is based on the Broadway musical created by Winnie Holzman and Stephen Schwartz, which in turn is based on the novel by Gregory Maguire, from which it naturally borrows the characters created by L. Frank Baum in The Wizard of Oz, adapted into that 1939 classic starring Judy Garland. We're talking, then, about an adaptation of an adaptation of an adaptation of... hence the spoilers you'll find in this post. Since it's such a widely known story, I think it's your own fault if you don't know who Dorothy is, why the Wizard of Oz is a fraud, how the Wicked Witch of the West met her end, or many of the other things shown in Wicked: For Good, which completely intertwines this story with L. Frank Baum's original novel. In that sense, this second half of the story ties up a lot of loose ends left unresolved in the first part, released last year.

Ahora bien, no hay que saber mucho de cine, pero sí dejar de lado ciertos prejuicios, para reconocer que Wicked es una de las mejores películas musicales que se han hecho en los últimos años. Diez nominaciones a los premios Oscar (triunfo en dos de esas categorías), dos premios BAFTA, taquilla de casi 800 millones de dólares... Wicked realmente fue un éxito la temporada pasada; por eso había muchas expectativas en ver cómo terminaba esta historia en Wicked: For Good, no tanto lo que ocurriría - cosa que es ampliamente conocida - sino cómo la mostrarían. Recordemos que esta película está basada en el musical de Broadway creado por Winnie Holzman y Stephen Schwartz, que a su vez se basa en la novela de Gregory Maguire, al cual lógicamente toma los personajes creados por L. Frank Baum en The Wizard of Oz, adaptada en ese clásico de 1939 con Judy Garland. Estamos hablando entonces de la adaptación de la adaptación de la adaptación de... a eso se deben los spoilers que encontrarán en este post, pues siendo una historia tan ampliamente conocida, creo que la culpa es suya si no saben quién es Dorothy, por qué el Mago de Oz es un fraude, cómo acabó la Malvada Bruja del Oeste o muchas de las otras cosas que se muestran en Wicked: For Good y que entrelaza completamente esta historia con la novela original de L. Frank Baum. En ese sentido, esta segunda mitad del relato es la que cierra un montón de asuntos que quedaron pendientes en su parte inicial, estrenada el año pasado.

Scene from the movie | Escena de la película

We begin with Elphaba and Glinda estranged because the first was forced to leave the Emerald City after confronting the Wizard of Oz and discovering he was a fraud. Public opinion condemned her as a Witch, and years have passed since then. Meanwhile, Glinda has been under the tutelage of Madame Morrible, who's been determined to mold her into the embodiment of goodness and hope, a symbol for the inhabitants of Oz, but above all, someone who must act and fulfill her role well, which, in a way, makes her a prisoner.

Comenzamos con Elphaba y Glinda distanciadas debido a que la primera fue forzada a abandonar Ciudad Esmeralda tras encarar al Mago de Oz y descubrir que era un fraude. La opinión pública la condenó por Bruja y han pasado algunos años desde entonces. Mientras tanto, Glinda ha estado bajo la tutela de Madame Morrible quien se ha empeñado en convertirla en la imagen de la bondad y la esperanza, un símbolo para los habitantes de Oz, pero sobre todo alguien que debe actuar y cumplir bien su papel, lo que la convierte, de alguna forma, en una prisionera.

To that we add the now public relationship between Glinda and Fiyero (although we must remember that he's in love with Elphaba), the death of Elphaba's father from a heart attack at the end of the first part, which made Nessa - her sister - governor, Elphaba's desire to unmask the Wizard and show the truth to all of Oz and of course, finally, the arrival of Dorothy and her dog Toto who come to Oz inside their cottage, transported by a tornado that crashes onto the yellow brick road and onto... well, you know who. Regarding the plot, I must say I enjoyed the ways Wicked was linked to The Wizard of Oz, revealing the supposed origins of some of its most iconic characters or phenomena that seemed magical and accidental in the original story but are revealed here to be entirely intentional. That part was entertaining and added a touch of creativity and originality to the story. However, other parts struck me as inconsistent—I don't know if they're the same in Gregory Maguire's novel—or very clichéd. And frankly, there were things that didn't quite work for me, like Elphaba's eventual decision to become the villain everyone believes her to be, and: 1) she did so very briefly, because she then becomes almost a martyr and seems to forget what she'd just said a few minutes before; and 2) she did it out of heartbreak when she had other motives that, in my opinion, could have been more compelling and powerful.

A eso agregamos la relación de pareja - ahora pública - que mantiene Glinda con Fiyero (aunque debemos recordar que él está enamorado de Elphaba), el fallecimiento del padre de Elphaba de un infarto al final de la primera parte, lo que convirtió a Nessa - su hermana - en gobernadora, el deseo de Elphaba de desenmascarar al Mago y mostrar la verdad a todo Oz y por supuesto, por fin, la irrupción de Dorothy y su perrito Toto que llegan a Oz dentro de su cabaña, transportada por un tornado que se estrella sobre el camino de baldosas amarillas y sobre... bueno, ustedes saben sobre quién. De la trama, debo decir que me gustaron esos trucos para enlazar Wicked con The Wizard of Oz, mostrando el supuesto origen de algunos de sus personajes más emblemáticos o de algunos fenómenos que en la historia original parecían mágicos y casuales y que acá se revelan como totalmente intencionados. Esa parte fue entretenida y aportó un poquito de creatividad y originalidad a la historia. Sin embargo, otras partes me parecieron inconsistentes - no sé si lo serán así en la novela de Gregory Maguire - o muy clichés y la verdad es que hubo cosas que no terminaron de cerrarme como el hecho de que Elphaba decidiera finalmente convertirse en la villana que todo el mundo cree que es y: 1) lo hiciera muy brevemente, porque luego se vuelve casi una mártir y como que se le olvida lo que acaba de decir pocos minutos antes; y 2) lo hiciera por un dolor amoroso teniendo otros motivos que, a mi parecer, podían ser más sólidos y potentes.

Scene from the movie | Escena de la película

In other words, a girl who grew up in a supposedly magical city, who discovers she has powers—which is unusual in that city despite everything—who dreams of meeting the great Wizard around whom her whole life has revolved, and who suddenly discovers he's a fraud and finds herself an outcast, hated by her peers, the victim of a smear campaign, has stronger reasons to rebel than simply not having been able to save the man she loves. Not because love doesn't matter, but because her "relationship" with Fiyero was very brief, almost always platonic, and doesn't occupy much space in the plot. In a way, I think, that makes her reaction seem somewhat disproportionate, if we see it as a consequence of that other event.

Es decir, una chica que creció en una ciudad supuestamente mágica, que descubre que tiene poderes - lo que es inusual en esa ciudad a pesar de todo -, que sueña con conocer al gran Mago alrededor del cual ha girado toda su vida y que de pronto descubre que él es un fraude y se ve convertida en una marginada, odiada por sus semejantes, víctima de una campaña de difamación, tiene allí argumentos más fuertes para rebelarse que simplemente no haber podido salvar al hombre que ama. No porque el amor no tenga peso, sino porque su "relación" con Fiyero fue muy breve, casi siempre platónica y no ocupa tanto espacio en la trama. De alguna forma, creo, eso hace ver su reacción algo desmedida, si la vemos como consecuencia de ese otro hecho.

The production design and costumes are on par with the first part, and technically I think there are some pretty good sequences, like the one where Glinda sings "The Girl in the Bubble," which, although the situation is very similar to that of a heartbroken Éponine crying for Marius after losing him to the beautiful Cosette in Les Misérables, I liked visually with that pink set, the staircase, and that perfectly executed play of mirrors. Nothing can be said about the impeccable performances of Cynthia Erivo and Ariana Grande, who earned their second Golden Globe nomination for their portrayals of Elphaba and Glinda, showcasing their immense acting and musical talent. However, and I don't know if you felt the same way, I think this second installment shines a little less brightly in terms of the songs, the dances, and the plot. In my opinion, the most powerful aspects of Wicked's narrative were seen last year, along with its best songs. "For Good" is a good song, but it doesn't evoke the same feeling as "Defying Gravity," for example. In short, I think it's a satisfying conclusion, but it falls a bit short of the impact of the first film, and perhaps that's why it hasn't achieved the same box office success as its predecessor. I feel that Wicked is a film you can watch multiple times and always enjoy, unlike Wicked: For Good, which seems to only need to be seen once. What do you think? Have you seen this film yet? Let me know in the comments.

El diseño de producción y el vestuario están a la altura de la primera parte y en lo técnico creo que hay secuencias bastante buenas, como esa en que Glinda canta "The Girl in the Bubble", que si bien la situación se parece muchísimo a la de una despechada Éponine llorando por Marius tras haberlo perdido ante la hermosa Cosette en Les Misérables, me gustó desde lo visual con ese escenario rosado, la escalera y ese juego de espejos perfectamente ejecutado. Nada que decir de las actuaciones impecables de Cynthia Erivo y Ariana Grande que repiten nominaciones a los Globos de Oro por interpretar a Elphaba y a Glinda con gran talento actoral y musical. Sin embargo, y no sé si les pasó lo mismo, creo que esta segunda parte brilla un poco menos en materia de las canciones, los bailes y la trama. En mi opinión, lo más potente de la narrativa de Wicked lo vimos el año pasado y también sus mejores canciones. "For Good" es una buena canción, pero no produce en el cuerpo la misma sensación que "Defying Gravity", por ejemplo. En resumen, creo que es un cierre que cumple, pero que se queda un poco por debajo del impacto de la primera parte y tal vez por eso la película no ha logrado impactar en taquilla de la misma forma que su predecesora. Siento que Wicked es una película que se puede ver varias veces y disfrutar siempre, pero no así Wicked: For Good que con una vez basta, ¿ustedes qué creen? ¿ya vieron esta película? Los leo en los comentarios.


Reviewed by | Reseñado por @cristiancaicedo


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7 comments
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Pendiente para verla.
No es que amé la primera, pero como musical me gustó.
Y bueno, no tengo muchas expectativas con esta segunda parte, pero ahí la veremos y ya me haré una idea.
Gracias, @cristiancaicedo
¡Saludos!

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no he visto la primera, pero si he escuchado el buen musical que tiene, la tendré en cuenta, gracias por recomendar


I have not seen the first one, but if I have heard the good musical it has, I will keep it in mind, thanks for recommending

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Coincidentally, when you mentioned musicals, Les Miserables immediately came to my mind—especially the scene where Eponine was singing, so when I read that you mentioned her, it immediately sparked joy in me. I haven't watched this movie yet, nor the predecessor. I have planned countless times to watch it, especially since it's connected to The Wizard of Oz, yet I always end up forgetting about it. Musicals are nice, but I sometimes avoid them because of last song syndrome haha...once I like a song from it, it takes a long time for me to get tired of singing to it.

The last time I got lss with On My Own, my sister got really pissed with me lol. That song was just so heartbreaking and beautiful that I can't stop listening and singing to it. So that's why I kinda hesitate in trying musicals because the songs there are nice, and of course I can't help but sing them (many times till I get tired of them haha). Yet after reading this, I'm intrigued...so I'm putting this movie and its prequel on my to-watch list.

Thanks for the review btw, and hope to see you around!

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hahaha I didn't know there was a name for that syndrome but I "suffer" from it too. Here's an idea: if you see musicals more often then you can change that last song faster. I mean you would be singing all year, but it will be like one song for just one or two weeks and then bam! move to the next one! hahaha Thanks for reading my post and leaving your comment.

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if you see musicals more often then you can change that last song faster.

That seemed like a good idea, I'll try that haha...tho I'm not sure my vocal cords can keep up to that lol

You're welcome btw (´◡`)

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The truth is, I haven't seen it yet, but what you've said has dampened my hype a bit, haha. I totally agree with you that many people judge musicals without giving them a chance; it's a difficult genre, but when it's done well, it's pure magic. I'm a little worried about what you mentioned regarding Elphaba's motivations; it sounds like they simplified a super complex social and personal conflict by reducing it to "heartbreak," which would be a shame for such a powerful character. Thanks for the honest review! Cheers.