Film Review: Charlotte Gray (2001)

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(source: tmdb.org)

At the turn of the millennium, Cate Blanchett quickly emerged as a versatile and talented actress, showcasing a range of diverse roles that drew comparisons to Meryl Streep. Despite her immense talent and energy, Blanchett's prowess couldn't salvage certain films, as evidenced in the case of the 2001 British war drama Charlotte Gray.

Based on Sebastian Faulks' novel inspired by real events during World War II, particularly those of Australian British spy Nancy Wake, the film follows a fictional counterpart, young Scottish woman Charlotte Gray, portrayed by Blanchett. Set in 1942, the plot unfolds as Gray arrives in London to work in surgery and encounters RAF pilot Peter Gregory (played by Rupert Penry-Jones), with whom she shares a passionate one-night stand. Upon learning of Gregory's being shot down over France, Gray joins the Special Operations Executive, thinking that she could be somehow able to helps his rescue. Thanks to her fluency in French, she is parachuted into a small French town where she would take identity of Parisian woman. There, she becomes involved with a Resistance cell led by Communist activist Julien Levade (played by Billy Crudup), and her already dangerous mission gets complicated when she discovers romantic feelings for him.

Charlotte Gray on paper had elements of a quality film, with a script delving into war in a picturesque French town meticulously recreated on screen. Directed by Gillian Armstrong, known for her expertise in period dramas and previous successful collaboration with Blanchett in Oscar and Lucinda, the film, unfortunately, faltered both at the box office and with critics.

The primary reason for the film's shortcomings lies in Armstrong's direction and the slow pacing that renders the intriguing story overly long and dull. Action sequences lack impact, and the film succumbs to melodrama towards the end. A subplot involving hidden Jewish children feels contrived, seemingly inserted to boost the film's Oscar prospects during a time when Holocaust-themed films garnered attention. However, the film's attempt to navigate the complexities of World War II and the moral dilemmas of those facing Nazi occupation falls short, reducing the narrative to an unconvincing love triangle.

Blanchett delivers a commendable performance in her challenging role, but her efforts are not matched by her co-stars, whose inconsistent approaches to using French accents, even when portraying French characters, detract from the film's credibility.

While Charlotte Gray remains watchable, it quickly faded into obscurity, leaving viewers questioning the two hours spent on it and understanding why it failed to resonate with audiences.

RATING: 4/10 (+)

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