On Chesil Beach, a psychological drama

From Ian McEwan's acclaimed novel comes this exquisitely filmed examination of erotic destiny by newcomer Dominic Cooke.

In a breakout role, Saoirse Ronan embodies the complex Florence, a fish out of 62's water who navigates the conventions of courtship and carnal urges opposite Billy Howle's stuffy Edward.

Taking place entirely in a single night, Cooke conducts an intimate character study with sensitivity and suggestion. His sparse but sensuous lighting leaves much to the imagination about the mysteries and flaws of intimacy.

Ronan and Howle convey oceans of longing beneath the decorum with a realism rarely seen. We feel their longing and their lack, as well as society's repression of the spectrum of sexuality.

Cooke proves himself a master of atmosphere, squeezing the tension out of any interaction to draw stinging conclusions about the fragility of relationships.

On Chesil Beach is worth repeated viewings to discover the richness of its minimalist chambers. A nuanced psychological drama for lovers of auteur cinema.

Cooke confirms his immense promise in theme and form. Saoirse Ronan was nominated for a Golden Globe and BAFTA for Best Actress for her raw and complex performance.

Although she did not win, these important nominations raised the film's profile and brought worldwide acclaim to director Dominic Cooke's intimate debut feature.

On Chesil Beach had a limited theatrical release, and was distributed independently in North America and through the BFI in the UK.

It grossed $3.2 million worldwide, of which $1.1 million domestically. Respectable for a small arthouse period drama, and a success relative to its $4 million budget.