My Second Short Movie Music Video IA-Art "Apocalipsis Final" WWII - 2025 by @nahupuku

7 months ago (Edited)

My Second Short Movie Music Video IA-Art "Apocalipsis Final" WWII - 2025 by @nahupuku feat @orimusic

Hi to all, my name its Nahu Padilla, @nahupuku and this time Im going to show you my new art post: My Second Short Movie Music Video IA-Art "Apocalipsis Final" WWII - 2025 by @nahupuku feat @orimusic. I hope that you enjoy this artpieces. This time I use IA Gemini, Suno, PixeVerse, for create this music video movie IA, and VideoPad, only a simple edition for give it an artistic concept and sense. My guns are replicas, We made this in the pandemic and below and I`ll show the original ones.

Pixverse.ai Prompt:

A continuous, high-tension visual narrative set in an alternative Europe 100 years ago with a Dieselpunk/Steampunk aesthetic, employing an epic cinematic style with period film grain, dramatic lighting, and a seamless transition into post-apocalyptic chaos. The sequence begins with a fixed mid-shot where she gracefully enters the frame walking towards the center; a moment later, he enters from the opposite side and stops beside her, both looking forward, establishing their alliance on a cobblestone street from the early 20th century. The couple advances with determination, entering a massive underground hangar/bunker, a purely steampunk environment with steam pipes, dim tungsten lights, and rows of modified biplanes featuring advanced mechanical technology, moving amidst the steaming machinery. Following this, a cut to a tracking shot shows the characters exiting the bunker and entering an abandoned industrial warehouse, walking towards the right of the image as the camera closely follows them, capturing the texture of oxidized metal and suspended dust. As the camera continues to track their walk, the background dramatically transforms: through the broken windows of the warehouse, a massive nuclear explosion illuminates the horizon, and a mushroom cloud rises, engulfing the sky in orange and black hues. Through a fluid camera movement and environmental morphing, the urban setting and warehouse disappear, and the characters, now clad in militarized survival gear, find themselves in a scorched No Man's Land, with silhouettes of armed soldiers emerging amidst the ruins and smoke, under a sky dominated by ash and radiation. Finally, they manage to escape aboard one of the modified steampunk biplanes from the bunker, ascending and flying through the devastated skies, leaving the destruction behind. The overall visual style will be cinematic photorealism in 35mm, high contrast, with a color palette shifting from sepia/cool tones to incandescent orange. Camera movement will include seamless transitions, intentional slow-motion during explosion moments, and dynamic tracking shots, all building an atmosphere of escalating tension, from historical drama to post-apocalyptic war horror.

Una narrativa visual continua de alta tensión, ambientada en una Europa alternativa de hace 100 años con estética Dieselpunk/Steampunk, utilizando un estilo de cine épico con grano de película de época, iluminación dramática y una transición fluida hacia el caos post-apocalíptico. La secuencia comienza con la cámara en un plano medio fijo, donde ella entra con elegancia caminando hacia el centro del encuadre; un momento después, él entra desde el lado opuesto y se detiene a su lado, ambos mirando hacia el frente, estableciendo su alianza en una calle adoquinada de principios del siglo XX. La pareja avanza con determinación y se adentra en un hangar/búnker subterráneo de escala masiva, un ambiente puramente steampunk con tuberías de vapor, luces tenues de tungsteno y filas de aviones biplanos modificados con tecnología mecánica avanzada, moviéndose entre la maquinaria humeante. Tras esto, un corte a una toma de seguimiento muestra a los personajes saliendo del búnker y entrando en un galpón industrial abandonado, caminando hacia la derecha de la imagen mientras la cámara los sigue de cerca, capturando la textura del metal oxidado y el polvo. Mientras la cámara continúa siguiendo su caminata, el fondo se transforma drásticamente: a través de las ventanas rotas del galpón,

BackGround Music :

rock marcial, sintetizadores oscuros, rock, percusión pesada, guitarras distorsionadas, agresivo, ritmo marcial y explosivo

https://suno.com/s/nVMCx3sruMzJ6sPG

Photos:

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Photographs taken by: Imer Alonzo (Fotostage) and Oriana @orimusic in 2012

Fotografías tomadas por: Imer Alonzo (Fotostage) y Oriana @orimusic en 2012

https://www.instagram.com/fotostage

con ori.jpg

Original Photos:

Part 1:

https://peakd.com/hive-158694/@nahupuku/wwi-movie-posters-artworks-2025-by-nahupuku

Part 2:

https://peakd.com/hive-158694/@nahupuku/war-movie-posters-artworks-part-2-2025-by-nahupuku

Part 3:

https://peakd.com/hive-158694/@nahupuku/war-movie-posters-artworks-part-3-2025-by-nahupuku

Part 4:

https://peakd.com/hive-158694/@nahupuku/war-movie-posters-artworks-katana-part-4-2025-by-nahupuku

Part 5:

https://peakd.com/hive-158694/@nahupuku/war-movie-posters-artworks-anubis-part-5-2025-by-nahupuku

Part 6:

https://peakd.com/hive-158694/@nahupuku/war-movie-posters-artworks-john-wick-part-6-2025-by-nahupuku

Part 7:

https://peakd.com/hive-158694/@nahupuku/war-movie-posters-artworks-final-post-of-this-serie-madmax-nukeman-and-kratos-part-7-2025-by-nahupuku

MOVIE POSTERS Artworks - John Wick - Pulp Art no IA - 2025:

https://peakd.com/hive-158694/@nahupuku/movie-posters-artworks-john-wick-pulp-art-no-ia-2025-by-nahupuku

FAKE MOVIE TRAILER AND POSTERS Artworks - Military Man WWI - 2025 by @nahupuku

https://peakd.com/hive-158694/@nahupuku/aihxmbol

Part 8:

▶️ Watch on 3Speak

https://peakd.com/@nahupuku/nrutzclq

My Networks:

https://www.tiktok.com/@nahupuku

https://www.instagram.com/nahupuku/

Grabado en / Recorded in: Caracas, Venezuela.
En la Nevera Creativa PukuEstudio - NNR

REAL FOOTAGE OF WW1

Clothes Ideas:

This was a Betamax that my father gave me when I was a child, I must have been about 7 or 8 years old. He was in the military, and since that time I have liked war movies.

Este fue un betamax que mi padre me regalo cuando yo era niño, tendria yo unos 7, 8 años, el era militar y desde esa época me gustaban las películas bélicas.