AfterSun

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AFTERSUN
Everyone experiences the movies that bring out strong emotions depending on their experiences, their hidden desires, the identification of the characters they watch develop in front of them, the level of their empathy, etc. (I don't think I need to expand any further to get the point).
I went to see the movie in the cinema and I can say that it was a pleasant experience of unpleasant and confused emotions (which was amplified by the lady who sat 3-4 seats to the right and spoke throwing invalid or captain obvious remarks at regular intervals).

Perhaps also due to professional status / parental identity, I experienced the film from the perspective of the awesome father (Paul Mescal) and not from the eyes of the sweet - this is how I want my daughter to be - Frankie Corio. In short, the coming of age part of the film seemed uninteresting to me, like something I had seen before and replayed in my head several times. The daughter-father relationship was to-the-point in many ways, but damn, if you haven't experienced the same thing as a teenage girl, or if you haven't experienced a loss that has marked you regardless of gender and age, you can't you get so excited to the point where you get goosebumps.
On the other hand, I died with the last scene experiencing it from the father's side, which I saw at the end clearly as a symbolic representation of the ubiquitous bitter goodbye scene.
P.S: as an advocate of square logic, I cannot accept that the cause of Mescal's condition was never revealed.



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