it is not a nice post, it is almost completely copy and pasted from the internet and that is plagiarism. a simple search in google of some of the paragraphs would reveal that.
The following @oneup-cartel family members will soon upvote your post: @cine-curator, @vyb-curator, @pob-curator, @neoxag-curator And they will bring !PIZZA 🍕
Learn more about our delegation service to earn daily rewards. Join the family on Discord.
Entire sections of this post are copy and pasted or slightly reworded from multiple sources. Just because you place a source of information does not mean you can copy and paste entire paragraphs as your own. https://philarchive.org/archive/JONHHC Future violations will result in a muting from our community.
What copy-paste? the PDF you are mentioning is the list of sources (source 2). please show the exact paragraph for which we are being penalized, it is not worth making the "complaint" half-heartedly.
Unfortunately I am not the person who wrote this post, but I support my colleague and I think that a 12% ratio where they are names or formats is not enough for a penalty, especially because she has referenced it.
it is much more than 12 percent as entire paragraphs are copy and pasted, if you copy and paste her article into a google search you will get the pdf that it came from and see for yourself
The Context of Hardcord Horror
Associations between contemporary visceral horror and extremity have been confirmed in the marketing materials of recent horror titles and in re-releases of controversial 20th century films. We can notice this at a glance on DVD covers, on streaming platforms, promotional images often boast that a given horror title is available in an "uncensored," "uncut," "unrated," or "extreme" version.
not to mention that this entire section she wrote:
"
The Disgust
This is the art of physically disgusting the audience:
The excessive gore found in the films of the Blumhouse production company, the grotesque animation of "The Thing" (1982) or, as King puts it, "the sight of a severed head falling down a flight of stairs."
Put more simply, it is the grotesque factor we experience when witnessing the most gruesome scenes in movies. Scholars agree with Stephen King, who has explained that this is the lowest level of the three, but some might argue that it is the "Gross-Out" that has led to the success of films like Saw (2004) and Hostel (2005).
The Horror
On the second level is the Horror, or the graphic depiction of the unbelievable. This occurs when the audience is confronted with something that provokes genuine fear, usually caused by the sight of something so implausible or unnatural that their minds struggle to comprehend what they are seeing.
An example of this, would be "spiders the size of bears, dead people waking up and walking" as King aptly describes.
Terror
The Terror, the highest (and in theory, worst) level of fear: this is where the masters of horror really shine. This is where the induction of fear is caused solely by the imagination; this is perfectly crafted for literary use, as the images that are created are entirely in the mind of the reader. All the author has to do is simply suggest the unknown, and the reader will fill in the blanks with something truly terrifying.
A creepy illustration of King's terror is "when you come home and realize that everything you have has been taken away from you and replaced with an exact substitute. It's when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there's nothing there..."
Ultimately, what underlies the creation of true horror is to offer the audience something they cannot fully comprehend. When confronted with chaos, we become terrified. Or, as Stephen King would say, "it is not the physical or mental aberration itself that horrifies us, but the lack of order that these aberrations seem to imply."
This is the act of physically revolting your audience: the excessive blood you find in Blumhouse movies, the grotesque animation of The Thing (1982), or as King puts it, “the sight of a severed head tumbling down a flight of stairs.” Put more simply, it’s the “ew” factor that we experience when witnessing the more gruesome scenes in movies. King has explained this to be the lowest tier of the three levels, but some may argue that it is the “Gross-Out” that has led to the success of such movies as Saw (2004) and Hostel (2005).
The Horror
On the second tier is The Horror, or the graphic portrayal of the unbelievable. This occurs when the audience is faced with something that strikes up genuine fear, typically caused by the sight of something so implausible or unnatural that their minds struggle to grasp what they are seeing. An example of this, as Stephen King would put it, would be “spiders the size of bears, the dead waking up and walking around. It's when the lights go out and something with claws grabs you by the arm.” A more relevant example would be the scene for It (2017) where Pennywise shifts his form to manifest the fears of the Losers’ Club.
The Terror
Finally, according to King, at the highest (and as he explains, the worst) level of fear is Terror—this is where the master of horror shines the most. This is where the induction of fear is solely caused by imagination; this is perfectly crafted for literary use, as the images being created lie entirely in the reader’s mind. All an author has to do is simply suggest the unknown, and the reader will fill in the blanks with something truly terrifying. A chilling illustration of terror by King is “when you come home and notice everything you own had been taken away and replaced by an exact substitute. It's when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there's nothing there…”
Ultimately, the overlying theme of creating authentic horror is to provide an audience with something that they cannot completely understand. When we are faced with chaos, we become terrified. Or, as Stephen King would put it, “it is not the physical or mental aberration in itself which horrifies us but the lack of order which these aberrations seem to imply.”
https://twitter.com/NodoNinja/status/1529044844282257408
The rewards earned on this comment will go directly to the people(@nodoninja) sharing the post on Twitter as long as they are registered with @poshtoken. Sign up at https://hiveposh.com.
Thanks for warning!
it is not a nice post, it is almost completely copy and pasted from the internet and that is plagiarism. a simple search in google of some of the paragraphs would reveal that.
You have received a 1UP from @underlock!
@cine-curator, @vyb-curator, @pob-curator, @neoxag-curatorAnd they will bring !PIZZA 🍕
Learn more about our delegation service to earn daily rewards. Join the family on Discord.
Entire sections of this post are copy and pasted or slightly reworded from multiple sources. Just because you place a source of information does not mean you can copy and paste entire paragraphs as your own. https://philarchive.org/archive/JONHHC Future violations will result in a muting from our community.
What copy-paste? the PDF you are mentioning is the list of sources (source 2). please show the exact paragraph for which we are being penalized, it is not worth making the "complaint" half-heartedly.
your section 3. The commercial is directly copy and pasted from page 4 of this pdf https://philpapers.org/archive/JONHHC.pdf
Unfortunately I am not the person who wrote this post, but I support my colleague and I think that a 12% ratio where they are names or formats is not enough for a penalty, especially because she has referenced it.
it is much more than 12 percent as entire paragraphs are copy and pasted, if you copy and paste her article into a google search you will get the pdf that it came from and see for yourself
and your section
Is directly copy and pasted from page 2 of this pdf https://philarchive.org/archive/JONHHC
Jum I see, this is serious, we will have to talk to Rebeca or stop publishing her.
not to mention that this entire section she wrote:
"
The Disgust
This is the art of physically disgusting the audience:
The excessive gore found in the films of the Blumhouse production company, the grotesque animation of "The Thing" (1982) or, as King puts it, "the sight of a severed head falling down a flight of stairs."
Put more simply, it is the grotesque factor we experience when witnessing the most gruesome scenes in movies. Scholars agree with Stephen King, who has explained that this is the lowest level of the three, but some might argue that it is the "Gross-Out" that has led to the success of films like Saw (2004) and Hostel (2005).
The Horror
On the second level is the Horror, or the graphic depiction of the unbelievable. This occurs when the audience is confronted with something that provokes genuine fear, usually caused by the sight of something so implausible or unnatural that their minds struggle to comprehend what they are seeing.
An example of this, would be "spiders the size of bears, dead people waking up and walking" as King aptly describes.
Terror
The Terror, the highest (and in theory, worst) level of fear: this is where the masters of horror really shine. This is where the induction of fear is caused solely by the imagination; this is perfectly crafted for literary use, as the images that are created are entirely in the mind of the reader. All the author has to do is simply suggest the unknown, and the reader will fill in the blanks with something truly terrifying.
A creepy illustration of King's terror is "when you come home and realize that everything you have has been taken away from you and replaced with an exact substitute. It's when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there's nothing there..."
Ultimately, what underlies the creation of true horror is to offer the audience something they cannot fully comprehend. When confronted with chaos, we become terrified. Or, as Stephen King would say, "it is not the physical or mental aberration itself that horrifies us, but the lack of order that these aberrations seem to imply."
Is virtually identical to the "source" she used from this link https://www.regmovies.com/static/en/us/blog/stephen-king-3-levels-of-horror
The Gross-Out
This is the act of physically revolting your audience: the excessive blood you find in Blumhouse movies, the grotesque animation of The Thing (1982), or as King puts it, “the sight of a severed head tumbling down a flight of stairs.” Put more simply, it’s the “ew” factor that we experience when witnessing the more gruesome scenes in movies. King has explained this to be the lowest tier of the three levels, but some may argue that it is the “Gross-Out” that has led to the success of such movies as Saw (2004) and Hostel (2005).
The Horror
On the second tier is The Horror, or the graphic portrayal of the unbelievable. This occurs when the audience is faced with something that strikes up genuine fear, typically caused by the sight of something so implausible or unnatural that their minds struggle to grasp what they are seeing. An example of this, as Stephen King would put it, would be “spiders the size of bears, the dead waking up and walking around. It's when the lights go out and something with claws grabs you by the arm.” A more relevant example would be the scene for It (2017) where Pennywise shifts his form to manifest the fears of the Losers’ Club.
The Terror
Finally, according to King, at the highest (and as he explains, the worst) level of fear is Terror—this is where the master of horror shines the most. This is where the induction of fear is solely caused by imagination; this is perfectly crafted for literary use, as the images being created lie entirely in the reader’s mind. All an author has to do is simply suggest the unknown, and the reader will fill in the blanks with something truly terrifying. A chilling illustration of terror by King is “when you come home and notice everything you own had been taken away and replaced by an exact substitute. It's when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there's nothing there…”
Ultimately, the overlying theme of creating authentic horror is to provide an audience with something that they cannot completely understand. When we are faced with chaos, we become terrified. Or, as Stephen King would put it, “it is not the physical or mental aberration in itself which horrifies us but the lack of order which these aberrations seem to imply.”
Thank you. I wrote to you in Rebeca's other post, evidently I think she will not be in the team anymore and I am deleting this post.